Chapter Five

Principles of Design

 

The "principles of design" are simply terms that describe how we make use of the "elements of design".  Conveniently, we have seven "elements" of design, and seven "principles" of design.  Remember, the "elements" are what we have to work with.  The "principles" are how we use them. You may find that my seven "elements" and my seven "principles" may differ slightly from your text or from other books.  Use my list.  It's better.

 

The seven "elements" of design (chapter 4) are:                                                 

·        Line                                                                                                        

·        Shape

·        Form (mass)

·        Light (value)

·        Texture

·        Space

·        Color

The seven "principles" of design (chapter 5) are:

·        Unity (harmony)

·        Contrast (variety)

·        Balance (symmetrical and asymmetrical)

·        Emphasis (focal point)

·        Scale

·        Proportion

·        Rhythm (movement, pattern, repetition)  Notice that I do not include pattern ( as your text does) as a part of "texture" as one of the elements of design.  Pattern is simply a kind of repetitive shape, form, or line.  As such, it is a principle, not an element.

Artists who consistently create strong works of art are those who understand how to make use of these seven principles.  The most common mistake that weak artists make is in failing to use the right amount of contrast

 

Another vital ingredient, but not included as one of the principles of design, is emotional impact.  By using images that the viewer will associate with previous experiences, the artist has the power to elicit powerful responses to his work.  The artist must be careful, however, not to cross a line that will make the art seem silly, cheap, or tawdry.  How big and watery can you make a child's eyes before the painting seems "tacky"?  How much nostalgia and bright color can one use before the painting seems "cheesy"? How erotic can one make a young woman appear before the painting seems cheap?  You have to know where to draw the line.

Day of the Gods

Gauguin

Symmetrical Balance

Executions of the Third of May

Francisco Goya

Focal Point

Early Sunday Morning

Edward Hopper

Ryhthm

Hand, Face and Arm unit

Ben Jones

Unity

The Two Fridas

Frida Kahlo

Formal (Symmetrical) Balance

Death and Life

Gustav Klimt

Informal(asymmetrical) Balance

A Bar at the Folies Bergere

Edward Manet

Informal Balance

The Red Studio

Henri Matisse

Unity

Broadway Boogie-Woogie

Piet Mondrian

Rhythm

Deer Skull

Georgia O’Keeffe

Formal Balance

Jackson Pollock

Extreme Unity

 

The Banjo Lesson

Henry Tanner

Focal Point

Minoan Culture

(out of) proportion

Georgia O’Keeffe Torso

Alfred Stieglitz

(correct) proportion

Georgia O’keeffe and Friend


Georgia O’Keeffe


Yellow Orchid

Georgia O’Keeffe

Radial Balance

Georgia O’Keeffe

Cow’s Skull

Georgia O’Keeffe

Formal Balance

 

Frida Kahlo and Diego Rivera

Diego On My Mind

Frida Kahlo

Formal Balance

Danae

Gustav Klimt

Informal Balance

Judith and Holofernes

Gustav Klimt

Informal Balance

 

Portrait of Adele Bloch-Bauer

Gustav Klimt

Informal Balance

Unity

Contrast

Focal Point

Safety Pin

Claes Oldenburg

Scale

Screw

Claes Oldenburg

Scale

Knife Ship

Claes Oldenburg

Scale

Illusions of Grandeur

Rene Magritte

Proportion

Resurection

El Greco

Proportion

Study of Human Proportions

Leonardo da Vinci

Proportion

The White House

Edward hopper

Informal Balance

Contrast

 

The Burning of the Houses of Parliament

J.M.W. Turner

Informal Balance